The title of todays post refers to the Japanese
saying that orders the greatest terrors of the world
to the Japanese people. Jishin (earthquake), Kaminari
(lightning), Kaji(fire), Oyaji(father).
...so if you've always wondered why a core theme in
the majority of Japanese cinema is about people vs.
their father, there's your explanation. <_<
Anyways Japan had some earthquakes and they were big.
Up in Aomori though you couldn't feel a thing and I
only found out about it because I was watching TV at
the time and all the channels were interuptted.
Between this and most of the typhoons missing Aomori,
I think we're getting some freebies to make up for the
fact that it's REALLY FREAKING COLD here already >_<
There's already snow up in the mountains and walking
back from the school late at night after parking my
car requires me to be fully outfitted with 3 layers of
clothing + gloves + headwear and yet by the time I
reach my place 12 or so minutes later I'm completely
chilled. At least my actual house is warm like a
toaster.
Last week was normal as usual. I've been working on
building my awesome futon of the future through
paychecks and am close to completion. Though I guess
there's a problem of if your bed is 'too' perfect
you're never gonna want to get up and leave.
An awesome awesome film was released last week on dvd:
Casshern.
Feature length directorial debut by music video
director and husband of Utada Hikaru: Kazuaki Kiriya,
Casshern again strengthens the idea that like Spike
Jonze, David Fincher, and countless others, the most
creative directors are coming from music video
backgrounds. Casshern is a comic book film based on
an old cheezy manga from the 70's. Kazuaki took full
lead of this project as he wrote, directed, edited,
and was the director of photography for the film.
Rather than doing as many comic book movies do and
telling one story of the comic, Kazuaki wrote a story
that basically covers the entire thing in 2:30 hours.
The result of this is a lot of time jumping, a plot
that asks you to accept everything at face value, and
a whole lot of confusion.
Going by the content of the film, it's easily a
b-movie. It has a subtle feel of the goofiness of
sci-fi manga in the 70s though it hides it well as the
film takes itself completely seriously. But what
makes this film noticable is that it's a B movie with
A+ style. Take the visual look of Amelie, Fight Club,
Requim for a Dream, Dark City, etc... and you have a
small idea of the visual settings for this film. The
settings are just incredible in their art and in the
framing and Kazuaki works with large amount of styles
to keep every section of the film looking like their
own music video. The color correction and costumes
are really eye-catching and the acting ain't too bad either.
Overall it's just a really fun ride with gorgeous eye-candy.
Most fun enjoyable Japanese film I've seen since the first time
I saw Versus.
Other noteable points from last week include finishing
up the Berserk: Millenium Falcon arc game which, as a
fan of the manga, was quite pleasing. I wrote up a
substantial review of it here:
http://forums.gaming-age.com/showthread.php?t=19671
I then moved into Paper Mario 2 which I'm finishing up
at the moment. Really fun gameplay and the dungeons
are top class, but the amount of dialogue (I'M SORRY
BUT OUR PRINCESS IS IN ANOTHER CASTLE...should not
take 10 speech bubbles of text to deliver) and the
most backtracking I've ever seen in a rpg make the
non-dungeon bits grating. Should have it finished in
time for Atlus's Stelladeus on thursday.
Macross Zero ended. Personally I've never been a fan
of Macross as planes with legs always struck me as a
dumb idea. I stuck with the Gundam stuff as they tend
to be based on Egyptian designs and ancient Egypt was
a cool looking place. Anyhow the OAV was alright, it
was a simple story with simple characters and by the
book "Love conquors all" theme [the Macross theme I
guess]. Much like director Kawamori's Chikyuu Shoujo
Arjuna, MZ is filled with the same old
environmentalism and the same ugly CG work and the
usual religous imagery. But despite all that, the
overblown really really overdramatic presentation of
every scene coupled with some beautiful music in
(latin? dunno) made it enjoyable to watch all the way
through.
Wong Karwai's latest film: 2046 opened at the local
theater on saturday and I've been kinda putting off
going to see it because the idea of reading Japanese
subtitles for 3 hours seems like more work than play.
But some of the film is in Japanese so it shouldn't be
'that' taxing...and it is Wong Karwai so the
cinematography should be brilliant. I'll probably end
up going tomorrow since Tuesday is cheap movie day for men.